DAMN JOE R. LANSDALE, JUST . . . DAMN (or how my mind got blown)

With the Sundance show a comin‘ I’ve been filling in the gaps of my Hap and Leonard reading cause I haven’t gotten the whole series through. Not for lack of liking, just for picking them up randomly. So I’ve been reading BAD CHILI by Joe R. Lansdale.

It’s good. I like Hap and I like Leonard. They ride each others asses like friends do. They get in weird capers that result in mucho violence and I like that as well.

So the other day I was working at the tattoo shop and I took a break, went outside on a gorgeous day, sat in a chair and lit up a Nick’s Sticks cigar and read toward the end of the book.

On page 280 Joe Lansdale blew my damn mind.

There’s a thing that happens, no I won’t tell you what it is, you either already know or you haven’t read it yet so no spoilers. Needless to say a thing occurs and Hap decides he is going to go kill someone.

That scene, his decision to do the killing and his action as a result was some of the most gripping writing I’ve read in a long time. I write books about violent men. I write books about people choosing to kill other people. Reading Lansdale’s version of thing s I have written was like being slapped with my own inadequacies. It was humbling. Not often does something happen in a book that makes me say, out loud, “damn”.

Two mega thumbs up for this book.

GO BUY IT HERE

 

GET GRAHAM YOST ON THE PHONE (or my review of RUMRUNNERS)

When Justified ended it left a hole in my world. I loved the Harlan County full of redneck outlaws and lawmen presented on there. Graham Yost, the showrunner, showed that he gets how to bring crime fiction to the small screen in a way that a lot of folks just don’t.

Well, I have discovered his next project.

RUMRUNNERS by Eric Beetner.

I’m an Eric Beetner fanboy and I have no problem admitting it. I love his writing and have yet to be disappointed in any of his work.  RUMRUNNERS is a great addition to his body of work.  This is a book about outlaw family doing outlaw things for family reasons. It’s got great characters and a plot as fast as a 1969 Roadrunner. It’s a crackerjack of a book.

It’s out through 280 Steps, a crime fiction publisher that’s burning up the roads with some great packaging on their books. Look at this cover.

And now read what some of the best crime writers are saying about it:

Smokey and the Bandit meets Justified and Fargo in this violent crime-family saga with a sense of humor.

“Buckle up…RUMRUNNERS is a fast and furious read.” -Samuel W. Gailey, author of Deep Winter Meet the McGraws.

They’re not criminals. They’re outlaws. They have made a living by driving anything and everything for the Stanleys, the criminal family who has been employing them for decades. It’s ended with Tucker. He’s gone straight, much to the disappointment of his father, Webb. When Webb vanishes after a job, and with him a truck load of drugs, the Stanleys want their drugs back or their money. With the help from his grandfather, Calvin-the original lead foot-Tucker is about to learn a whole lot about the family business in a crash course that might just get him killed.

“Rumrunners just never lets up. It’s a fuel-injected, mile-a-minute thrill ride. I had a blast.” -Grant Jerkins, author of A Very Simple Crime and Done In One

“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path. RUMRUNNERS is the latest example of his great storytelling skills, and his uncompromising commitment to the dark, often violent truth at the center of the human heart.” -Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series

“Beetner is an old school talent, a crime writer’s crime writer like Gil Brewer (although, in my humble opinion, he’s better than Brewer), who writes stuff that is fast and funny and dark all at once.” -Jake Hinkson, author of Hell On Church St. and The Big Ugly

 

And now go BUY IT RIGHT NOW

Writers: Go To Conventions (a guest post by Matthew W. Quinn)

Yes it’s been a minute. Here is a guest post by my friend Matt. Listen up. He’s got good advice here. (JRT)

 

By Matthew W. Quinn

One lesson I’ve learned in the years I’ve been writing professionally is attending conventions is a really, really good idea. Since I live in Atlanta, I’ve been blessed to have conventions like DragonCon, AnachroCon, and JordanCon (although I’ve never been to that one) easily accessible.

Firstly, conventions are good places to do business. I didn’t even know the BattleTech science-fiction franchise even still existed, but I ran into the staff of Catalyst Game Labs — the current holder of the property — at the 2008 DragonCon. I spent the subsequent year writing a short story entitled “Skirmish at the Vale’s Edge” for the site BattleCorps based on something I read in an old Clan Wolf sourcebook and submitted it to them just before the 2009 convention. I let the staff know I’d done this and soon afterward they wrote me to tell me they’d purchased the story. It’s still up there, and it’s now the canonical account of the Battle of Jallington Vale.

At a later DragonCon (either 2011 or 2012), I met representatives of another small press and received permission to send them my secondary-world fantasy/steampunk novel Battle for the Wastelands. I submitted in March 2013 and after not hearing back for some time, queried the company’s representative at the 2013 convention. I eventually received a rejection that November — they said it had good writing, but wasn’t for them. Although this wasn’t an acceptance, it was still feedback and a contact made for future projects.

More recently, I volunteered at the 2015 World Horror Conference. There I met representatives of two small presses, one dedicated to science fiction, fantasy, and horror and the other “bizarro.” I got the go-ahead to submit my teen Lovecraftian horror novel The Thing in the Woods and a rather strange tale involving little people. I’ve already submitted the former; I’ll submit the latter once I finish it.

Secondly, one can learn a whole lot about the craft of writing from panels. I found panels at DragonCon 2013 so informative on topics like pulp writing and putting together anthologies and collections that I ended up blogging about them. At the 2011 DragonCon I attended a panel on characterization taught by none other than Michael Stackpole. Another panel, with S.M. Stirling, provided some valuable advice about short stories and the most profitable use of one’s time. DragonCon 2010 gave me enough material for multiple blog posts. AnachroCon, though much smaller, taught me some valuable information about Norse culture and the state of Lovecraftian media.

Finally, conventions are a good place to sell your wares. James and I have a mutual friend named J.H. Glaze who’s very, very good at moving his product at conventions. I’ve purchased books at the World Horror Conference and DragonCon. If you’ve got books to sell, try to get a table either by yourself or with other writers to share the load.

-Matthew W. Quinn is a freelance writer, editor, and soon to be holder of an M.A. in World History from Georgia State University. Check out his speculative fiction here and follow him on Twitter here.

I MAKES BOOK COVERS (it’s true. I do.)

I do covers. If you want one hit me up. You get print layout and ebook cover.

james AT jamesrtuck DOT com

(replace AT with @ and DOT with . and close the gaps)

On my personal books I did the artwork and took the photos….for FLASHING STEEL FLASHING FIRE I used a stock image I bought……for INTO THE WEIRD the artwork came from Karl Comendador (find him HERE)

If you want to buy any of these click the pictures and you can buy them in ebook and print!

My stuff:

and for other people:

 

LAID OUT A NEW BOOK (not mine but something for a friend)

So in my copious amounts of spare time I sometimes do cover layouts for folks. Here is the cover I did for Mechanoid Press‘ BETRAYAL ON MONSTER EARTH.

Actually the cover artist did the front cover layout, I just did the back cover and spine.

 

You can buy it HERE

FOR THE LOVE OF COULSON (or how Marvel Agents Of S.H.I.E.L.D. can not suck)

Alright. This is hard to admit.

HARD.

Cause The Avengers pretty much came out and rocked my ass, your ass, and your grandma’s ass off. Cause Joss Whedon is a badass who can chew up corporate crap and spit out magic rainbows of love. Cause Clark Gregg is a bonafied Terminator when it comes to playing Agent Coulson, stealing a multi-million dollar movie from some of Hollywood’s biggest players. Cause, dammit, this is the Marvel Universe and the sumbitchin Avengers part of it.

But the really real truth of the matter is that Marvel Agents Of S.H.I.E.L.D. pretty much blows.

Hey guys, pose like you’re gonna kill a franchise.

I’m not the first one to say it so put your hair back on. The show is flat and boring. Nobody is engaging. I just don’t give a shit what happens because I know when the show starts that NOTHING is going to happen. There are no consequences. Everybody is exactly who they were when the show started and I feel they will remain that when the show ends. The actors have zero chemistry and even the indomitable Clark Gregg comes off as flat and muted.

Hell, it’s making me kinda hate Agent Coulson.

Yep He’s dead.

So what can be done? I’m glad you asked.

FIRST this show needs to remember that it is a part of the Marvel Universe. We were promised that it would tie in and we have seen almost NONE of that. Yes we got a 30 second appearance of Nick Fury at the end of an episode, but where are the small nods? The inside fanboy references? The freaking copy of the Daily Bugle with SPIDERMAN: HERO OR MENACE? plastered across the front of it. Why hasn’t this team started running into A.I.M. or Hydra or any of the other bad guy organizations out there? You have about 30,000 C and D list heroes and villains you can swing into this show for almost no money. Hell, Thor hits in two weeks, just give me a red and silver streak CGI’ed across the sky and have Coulson comment on it.

It’s like I made that shit up.

SECONDLY this show REALLY needs some consequence. Like the episode called EYE SPY. Crap episode. Nothing really happened. Had a glimmer of promise that quickly died. HOWEVER, they could have pulled that episode out by

SPOILERS WARNING!

simply doing one thing at the end. When the girl who they removed the eye from laid down at the end of the show and her eye began to flutter as she fell asleep they should have simply had the one eye left pop open and then do that zzzzt bloodspurt thing that happened to her handler.

BAM! all of a sudden you establish a few things. 1) Coulson’s team (and by extension S.H.I.E.L.D.) can miss things, which creates a helluva lot of tension. 2) It indicates that the person in control of the eye devices has a bigger plan and won’t simply disappear after this one episode. These two things could turn the show in the right direction because these two things are missing.

Truthfully they should call me and I can fix this show.

Here’s what the dealio should be: We all know that Coulson died in The Avengers movie. This Coulson is something else. He may be a Life Model Decoy, he might be a prototype of Ultron or Kang or a Doombot or a brainwiped Skrull or some other thing FROM THE MARVEL UNIVERSE that could possibly become the Vision. Regardless, he isn’t human and S.H.I.E.L.D. is field testing him.

He thinks he’s in charge of this team of misfits but truthfully THEY are handling him because he’s dangerous.

There are two scientists because they are both studying him using their different schools of training. Agent Ward and Agent May are there so that if he doesn’t work out they are the two with the ability to take him down. And the Rising Tide girl is the wildcard and the ONLY one who doesn’t know Coulson’s secret besides him. Of course her gig is to investigate and to mistrust S.H.I.E.L.D. so when tidbits of info that things are not as they seem come out, she is our way of finding out about it. She is our intro character. Once she finds out the truth she drops the knowledge on Coulson and he and her go off the rails.

Then we find out that this whole time they haven’t been working for S.H.I.E.L.D. at all.

Aw yeah son.

BAM!

Seriously Joss, give me a call.

VON TUCK IS THE MAN (or some pictures for your consumption)

So, with the royalty check one of the things I bought was a new camera. Here is what I have been doing with it 🙂

Needless to say, all pictures are mine. Copyright James R. Tuck. See that big name across them? That’s my photography handle. Respect it.

TA HELL WITH A MASS MARKET (my opinion as a reader on why I love Trade Paperbacks)

I have a ton of books.

I don’t know how much they actually weigh, but me and the Missus have a book buying problem. Actually, the phraseology on that is wrong. We have NO problem buying books. Ignore the fact that my TBR pile numbers near 100. Ignore also the fact that there are easily 20 current releases I have NOT purchased simply because I know when I do I will immediately read them thus pushing my TBR pile even further int he background. (Yes, I’m looking at you COLD DAYS by Jim Butcher. Fuck you, don’t make me feel guilty for not bathing in your sweet sweet cotton-candy scented literature. I’ll get to you. I will. I PROMISE. It is inevitable.)

Where was I?

Oh yeah, books.

Here is a pic of our new, grown folks books shelves and our library at the house.

ALL the books on the left two shelves are mine.

 

So earlier I was thinking about books. The physical form of the book. I decided that I am totally over mass market paperbacks. I much prefer the size of a trade paperback.

Mass market paperbacks are now the cats of the publishing world in my opinion.

Now I’ll still buy a mass market, hell I bought one last night (SHARP by my good friend Alex Hughes). But if I can, I’m buying trades from now on.

Book four of the Deacon Chalk series will be trade paperback size.

My double anthology of sword and sorcery stories that I edited for Seventh Star press will be trade paperback size.

I’m actually going to push for any book released by me to be automatically in trade paperback size. I may not get it for everything, but it’s what I want.

They are easier to hold, easier to read, and easier to shelve. They are narrower, so you can fit more on a shelf, and with a mass market, you lose the 3-4 inch difference in dead space between the top of the book and the bottom of the shelf above it.

This post has no real merit. It was just a musing I thought I would indulge because, hey, fuck it, it’s my internet too.

So what’s your choice or opinion on this hot-button issue?

REBLOG: 25 Thoughts On Book Piracy « terribleminds: chuck wendig

25 Thoughts On Book Piracy « terribleminds: chuck wendig.

Go read it. I’ll be here tomorrow with my thoughts on the whole gig.

Reblogging a great article: 8 Writing Techniques to Win You a Pulitzer | Jane Friedman

I am reading BLOOD MERIDIAN by Cormac McCarthy because he is a total literary badass and I want to write like him.  I ran across this article, which by title sounds vaguely manipulative, but actually just gives some great advice (with examples) of how to write better.

8 Writing Techniques to Win You a Pulitzer | Jane Friedman.